There is a specific kind of quiet that happens in the mountains when the fog rolls in.
The trees start disappearing a few layers at a time.
The road ahead gets softer.
Everything smells damp and cold and like somebody turned the contrast down on the entire world.
For this fall engagement session near Cascade, Idaho, we headed into the mountains on a Forest Service road with lanterns, warm layers, and absolutely no guarantee that the weather was going to behave.
Thankfully, it did not.
The fog moved through the trees and turned a simple mountain road into something that felt very Pacific Northwest, very cinematic, and just a little bit like we had wandered into the beginning of a folklore story where somebody was probably about to make a questionable deal with a forest spirit.
The lanterns came out as the light dropped. The forest got darker. The mist hung between the trees.
It was moody as hell.
But the reason this session worked was not simply that we got lucky with fog.
It worked because we chose a location that could hold whatever the mountains gave us.
That is the real lesson behind this guide.
If you want Idaho mountain engagement photos that feel atmospheric, quiet, nostalgic, and a little wild, you can absolutely plan for that feeling.
You just cannot order fog like a side of fries.
So here is how I plan mountain engagement sessions near Cascade when weather, Forest Service roads, fall conditions, lantern light, and a little bit of chaos are all part of the experience.


Cascade sits in one of my favorite kinds of Idaho landscapes.
You can leave town and very quickly find yourself surrounded by forest, mountain roads, rivers, open views, and those stretches where civilization starts getting quieter.
That gives us options.
You can build a Cascade engagement session around water, which is exactly what I did for this Cascade Idaho river engagement session.
Or you can head higher into the mountains and let the forest do something completely different.
That is important because “Cascade engagement photos” do not need to have one visual identity.
A river at golden hour feels different from a foggy Forest Service road.
A warm summer evening feels different from wet October trees.
A wide mountain overlook feels different from being enclosed by forest.
The location should support the experience you want rather than becoming a checklist item because somebody once labeled it a good photo spot.
For this session, the goal was less:
Look at that mountain.
And more:
What does it feel like to disappear into the mountains together for an evening?
That distinction changes the photographs.


Fog simplifies everything.
A mountain landscape can normally contain a lot of information at once: ridgelines, trees, sky, distant peaks, roads, brush, rocks.
Fog starts removing those layers.
Suddenly the trees twenty feet away are sharp while the forest farther back slowly disappears.
Colors become quieter.
Light becomes softer.
Distances feel harder to measure.
That can create incredibly intimate photographs because the landscape stops demanding as much attention.
Instead of the couple being tiny people inside a giant scenic view, the fog starts wrapping the environment around them.
There is also something inherently temporary about it.
Fog can thicken.
Disappear.
Move.
Lift completely ten minutes later.
That unpredictability is part of what makes it feel alive.
It is one reason I love photographing weather instead of constantly fighting it.
My rainy Stanley engagement session is another example of what can happen when the original plan meets Idaho weather and we decide to work with what is actually happening instead of mourning some imaginary perfect forecast.
Because cloudy, rainy, or foggy does not automatically mean your engagement session has gone wrong.
Sometimes that is when the good stuff starts.


This is the most important part of planning foggy engagement photos:
Do not make fog the only reason your location works.
You cannot reliably schedule it.
You can watch weather patterns.
You can choose seasons and elevations where cooler, wetter conditions are more likely.
You can keep an eye on forecasts.
But there is no little reservation portal where I select:
Fog, moderate density, 5:47 p.m., please.
So I plan the session around a location that still makes sense if we get:
If the road, trees, movement, outfits, and connection already give us something to work with, fog becomes a gift instead of the entire plan.
That is the goal.



The fog was the first thing that changed this session.
We were on a Forest Service road in the mountains near Cascade during fall, surrounded by trees and that colder seasonal palette where the landscape starts moving away from summer.
Then the weather started closing in.
The farther parts of the forest disappeared.
Everything got damp.
The light flattened in the best way.
Instead of losing the mountains, we gained this much smaller world.
There was the road.
The trees.
The couple.
And eventually, the lanterns.
That is one of my favorite things about photographing in weather.
You stop trying to capture every scenic thing around you.
You start noticing what is close.
Hands.
Breath in cold air.
Hair catching moisture.
Someone pulling their partner a little closer because it is chilly.
Boots on a wet road.
The warm glow of a lantern against an environment that has gone completely cool and muted.
Those details made the session feel more lived-in than a perfectly clear mountain panorama would have.
Not better.
Different.
And different was exactly what this session needed.

Forest Service roads can be incredible for engagement sessions because they give you something that traditional viewpoints sometimes do not:
movement.
A road naturally creates direction.
You can walk.
Wander.
Stop.
Turn around.
Move through different pockets of trees.
Let the environment change around you.
It gives the session somewhere to go.
Roads also create natural leading lines in photographs, particularly when they disappear into fog or curve through forest.
But a Forest Service road is still a road.
That means we are not treating it like a private photography studio.
Vehicles may come through.
Hunters may be using the area.
People may be camping, recreating, cutting firewood, riding OHVs, working, or simply driving somewhere.
We stay aware.
We move when vehicles approach.
We do not block gates, pullouts, or road access.
And we choose locations where photographing safely makes sense.
The forest does not become ours because I brought a camera.


This part matters.
Do not assume a road is legal to drive because Google Maps drew a line through the forest.
The Forest Service uses Motor Vehicle Use Maps, usually called MVUMs, to identify National Forest System routes designated for motorized travel, including vehicle types and seasonal restrictions. The agency’s map data distinguishes roads open year-round from seasonal routes and roads restricted to particular vehicle classes.
You can start with the official U.S. Forest Service Interactive Visitor Map, then verify the current Motor Vehicle Use Map for the specific Forest Service unit managing the road.
That last part is important around Cascade because public land in this part of Idaho can cross different management boundaries.
Do not assume every mountain road near Cascade has the same rules.
If I am planning a session on a Forest Service road, I want to know:
The Cascade Ranger District is part of Boise National Forest, and official Forest Service materials list the district office in Cascade as the contact for questions involving roads and closures within that district.
If you are unsure, asking the ranger district is substantially better than finding out halfway up a mountain that your screenshot from Google had dreams beyond its qualifications.


Legal access and good driving conditions are two different things.
This is a very important mountain-road distinction.
The Forest Service notes that a route being designated for motorized use should not be interpreted as a promise that the road is maintained, passable, or safe in current conditions. Weather and natural events can make designated routes impassable.
Fall makes this especially relevant.
A road that was dusty and easy in August may look very different after days of rain.
Mud happens.
Ruts happen.
Trees fall.
Snow can show up earlier than expected at elevation.
Freeze-and-thaw cycles can change surfaces.
Wildfire activity, maintenance projects, or temporary closures can also affect access.
That is why I check the route again close to the session instead of assuming that because I drove it previously, nothing could possibly have changed.
Mountains love a plot twist.


Do not guess on this one.
Forest Service special-use requirements can depend on the exact activity, whether it is commercial, the location, the size of the group, equipment, impacts, and how the land is being used.
The Forest Service identifies commercial photography among activities that may require special-use authorization on National Forest System lands. Official guidance recommends contacting the Forest Service unit where the activity will occur because requirements are location and use specific.
For engagement photos on a specific road near Cascade, I would confirm requirements directly with the managing ranger district rather than giving every photographer and couple on the internet one universal answer.
That is also why I do not publish exact remote locations with a casual “just go here” when access, permitting, or land-management context deserves more care.


Fall in the mountains is not simply Boise weather with more pine trees.
Elevation matters.
Exposure matters.
Time of day matters.
A forecast for downtown Cascade is a useful starting point, but the exact place we photograph may be higher, colder, wetter, windier, or sitting inside a completely different cloud layer.
The National Weather Service forecast for Cascade is the official forecast source I would use as a starting point before checking conditions for the specific mountain area. NWS Boise issues the forecast for Cascade and includes changing wind, smoke, precipitation, and temperature conditions.
For a fall engagement session, I want us prepared for the possibility of:
None of those automatically ruin the session.
They just change what comfortable and responsible planning looks like.

I think photographers accidentally taught people that engagement-session weather falls into two categories:
golden sunset = success
everything else = emotional devastation
I disagree.
Clear sunset light is beautiful.
So is fog.
So is a low ceiling of clouds sitting between mountain ridges.
So is rain on a forest road.
So is a gray sky that lets us photograph in places where harsh afternoon sun normally would have made the light complicated.
Weather changes the story.
It does not automatically make the story worse.
The useful question is not:
Is the weather perfect?
It is:
Are the conditions safe, and what kind of photographs can we make in them?
That is a much more flexible way to plan.
If you love the idea of moody mountain weather, you may also like my Stanley engagement session from Custer Ghost Town to Redfish Lake and hot springs, where changing environments give one session an entirely different kind of Idaho mountain story.


I do not plan foggy sessions the same way I plan a clear-sky sunset session.
If the entire sky is heavily overcast, we do not necessarily need to wait until the last sixty minutes before sunset to begin.
Cloud cover acts like a giant diffuser.
The light may already be soft much earlier.
That gives us flexibility, particularly in a forest where the trees themselves reduce available light.
For a fall mountain session, I generally want more usable time before official sunset than people expect.
The darker the forest and heavier the clouds, the earlier I want to begin.
Then we can let the session naturally move into lower light, which is when lanterns start becoming useful.
A rough flow might look something like this:
About 2 to 2.5 hours before sunset: Meet, check the road, get settled, start with brighter environmental photographs.
About 90 minutes before sunset: Move deeper into the session as the forest light becomes moodier.
About 45 minutes before sunset: Start watching for the point where lantern light becomes visible enough to add something.
Sunset into early blue hour: Lantern photographs, low-light images, flash if it fits the gallery, then head back while everybody still knows where the car is.
That timeline changes based on cloud cover, elevation, season, road conditions, and how dark the forest actually is.
The point is not memorizing those numbers.
The point is understanding that cloudy weather gives us a different lighting window.


Lanterns are not magic simply because they are cute.
For a lantern to visibly glow in a photograph, the surrounding light needs to be low enough for that glow to matter.
Bring a lantern into bright afternoon sun and it may technically be turned on, but visually it is doing approximately nothing.
As the forest darkens, the relationship changes.
Suddenly the lantern becomes one of the brightest things in the scene.
Warm light against fog and cool forest tones can create contrast.
It can illuminate hands and faces.
It gives people something physical to interact with.
And it makes sense within the environment.
That last part matters to me.
I do not want to scatter random props across a session because Pinterest gave us a shopping list.
The lantern worked because it felt believable there.
Walking a misty forest road with a light as evening comes in?
Yes.
Tiny decorative picnic sign that says “forever starts here” leaning against a tree for reasons nobody understands?
We can probably leave her at Michaels.

For mountain engagement sessions, my preference is a battery-powered lantern or another enclosed electric light source.
It gives us the glow without introducing an unnecessary open flame into a forest.
Fire restrictions can change with conditions, and National Forest closures or restrictions may be implemented when wildfire risk or active incidents require them. Current alerts should always be checked with the Forest Service unit managing the area before your session. Forest Service closure orders can restrict access to roads, trails, and whole areas when public safety requires it.
If you are recreating this idea somewhere else, do not assume that because you saw a flame lantern in someone else’s photographs, you can use one anywhere at any time.
Battery lantern.
Cute.
Effective.
Much less likely to accidentally become a federal incident.
Everybody wins.

The first requirement is very glamorous:
Do not freeze.
Mountain engagement photos stop being romantic surprisingly quickly when your teeth are chattering and one person can no longer feel their fingertips.
Layers are your friend.
That does not mean you have to arrive looking like you are preparing for an Antarctic expedition.
It means choosing outfits that work with the actual environment.
Fall forests photograph beautifully with texture.
Denim.
Corduroy.
Knits.
Leather.
Wool.
Flannel.
Worn-in jackets.
Boots.
Fabric that has some movement.
Those materials make sense in a landscape full of bark, gravel, wet leaves, fog, and pine.
Please.
I say this with love.
A Forest Service road can include gravel, mud, loose rock, potholes, puddles, ruts, or uneven shoulders.
You do not earn extra engagement points for sacrificing an ankle to the aesthetic.
If your dream outfit requires different shoes, bring them and change for certain photographs.
Even if you do not wear the coat in photographs, bring it.
Put it on between locations.
Bring hand warmers.
Bring a blanket to the car.
Cold people get tense.
Warm people can relax.
Relaxed people make better photographs.
Very advanced photography science happening here.


Idaho has an absurd amount of variety.
If Cascade sounds right but foggy forests are not your thing, start with my Cascade Idaho engagement photos for a river-focused version of the area.
If you want lakes, mountains, and another nearby mountain town, my McCall Idaho engagement photos are another useful place to look.
If you want something wilder and farther into central Idaho, my Challis Idaho engagement photos show another side of what an Idaho engagement session can feel like.
And if you have fully entered your mountain era, there is also Stanley.
You do not need to pick the location everybody else has used.
You need the environment that gives your relationship somewhere interesting to exist.


You do not need to become an off-road influencer because you booked mountain engagement photos.
But you do need to understand the road you are taking.
Before heading out, I want to know:
What is the surface?
How rough is it?
Does your vehicle have enough clearance?
Has it rained recently?
Could mud become an issue?
Is snow possible?
Are there safe pullouts?
Can we turn around?
Are there steep edges or narrow sections?
How far are we from pavement?
If something feels outside your driving comfort zone, say so.
There is no engagement photograph impressive enough to justify white-knuckling your way up a road you hate.
We can pick a different location.
That is not failing at adventure.
That is having survival instincts.

A Forest Service road is still active transportation infrastructure.
Even if we have not seen another person in thirty minutes, somebody can appear.
Park only where the vehicle is fully out of the travel lane and where parking is legal.
When photographing in the road, stay aware and move immediately when another vehicle needs through.
Do not set lanterns, bags, tripods, clothing, or gear in a way that forces drivers around you.
Other people may be working or recreating in the area.
We are visitors too.

Mountain cell service can be unreliable depending on your carrier, exact location, terrain, and distance from town.
Even Forest Service recreation information for remote Boise National Forest areas recommends downloading necessary app information before arriving because some locations have limited or no cellular service.
I would not rely on having service once you turn onto a remote forest road.
Download your maps ahead of time.
Save the meeting point.
Save the return route.
Tell someone where you are going.
Know how far you are traveling from the highway.
And do not make “we will just figure it out when we get there” the entire navigation plan.
Spontaneity is fun.
Being lost after dark because everyone assumed somebody else downloaded the map is less whimsical.


Fall is beautiful in Idaho.
It is also hunting season for multiple species in many parts of the state.
That does not mean you cannot have a fall mountain engagement session.
It means public-land awareness becomes part of planning.
Idaho Fish and Game publishes current hunting seasons and rules, which vary by species, dates, and game-management unit. The agency also strongly encourages hunter orange as a voluntary safety measure.
Before a fall session on public land, check the current Idaho Fish and Game seasons and rules for the area you plan to visit.
If hunting activity is likely nearby, visibility matters while traveling to and from the photography location.
That does not mean your entire engagement gallery needs to feature fluorescent orange unless that is genuinely the fashion direction we are choosing.
It means we make smart decisions between photographs too.

“Easy location” can mean very different things to different people.
A Forest Service road might let us park close to where we photograph, which can reduce hiking.
That does not automatically make it accessible.
There can still be:
If mobility, chronic pain, balance, fatigue, sensory needs, or another accessibility consideration matters for you, tell me during location planning.
We can choose how far we walk.
We can stay near the vehicle.
We can bring seating.
We can choose smoother sections.
We can build in breaks.
We can choose somewhere else completely.
You do not have to prove your outdoorsiness to deserve mountain photographs.
The session should work for your body.
Not punish it.


Forest roads can feel durable because, well, they are roads.
But the landscape around them still matters.
Stay on durable surfaces rather than trampling vegetation because one particular patch of grass looked marginally more cinematic.
Pack out everything you bring.
Do not leave candle wax, props, trash, food, confetti, florals, or pieces of clothing behind.
Do not carve trees.
Do not pick plants for styling.
Do not move large natural features simply because they are inconveniently located in your composition.
Give wildlife space.
And keep vehicles on routes where motorized travel is allowed.
The whole point of going into the mountains is because the mountains are still there.
Photographs should not come at the landscape’s expense.

You do not need to bring your entire house.
But I would want a small mountain-session survival collection:
And keep some of it in the car.
You do not need to walk through every photograph wearing a backpack full of emergency granola bars.
Although I would respect it.


We take engagement photos.
That is the answer.
Not:
We panic.
Not:
We reschedule because the weather failed its audition.
Not:
We spend the evening aggressively refreshing a weather app until romance dies.
If the fog does not show up, the mountains are still there.
The forest still has texture.
The road still gives us movement.
Fall still gives us color and colder air.
Lanterns can still work as the daylight fades.
You still have each other.
This is why I build engagement sessions around an experience instead of one hyper-specific visual outcome.
You can have inspiration.
You can have a mood board.
You can know that you love foggy PNW engagement photos.
But the session needs room to become its own thing.
That is usually where photographs start feeling like memories instead of recreations.


Assuming conditions are safe, we adapt.
Light rain can make an Idaho forest incredibly atmospheric.
Wet roads get darker.
Colors deepen.
Fog may shift.
Jackets come out.
People naturally stand closer.
We can use umbrellas if you want them.
We can take breaks.
We can protect anything that needs to stay dry.
We can also decide that conditions have crossed the line from fun-weather-story into nobody-is-enjoying-this.
I am not interested in making you suffer for art, but I do always have a clear umbrella just in case (wink wink).
For another example of leaning into Idaho weather, my rainy Stanley engagement photos are basically an entire love letter to the fact that weather does not need to behave for photographs to matter.

Fog helps with many things.
It does not magically teach anyone how to pose.
Luckily, you do not need to know.
Most couples I photograph are not professional models.
They are people who know how to interact with each other and suddenly forget they have ever possessed hands when a camera appears.
Normal.
My job is to give enough direction that you know what to do without controlling every second.
On a forest road, that often means movement.
Walk toward me.
Walk away.
Take the lantern.
Switch who is carrying it.
Get closer because you are genuinely cold.
Talk.
Turn around.
Explore.
Do something instead of standing perfectly still trying to manufacture “candid.”
You can read more about what working with me actually feels like if the camera part makes you more nervous than the mountain part.
And if you are still figuring out the whole engagement-photo thing, my Boise engagement photographer guide goes deeper into choosing a photographer, planning the experience, and making engagement photos feel like you instead of a Pinterest assignment.


One of the reasons I publish real engagement sessions as resources is because Idaho does not have one look.
There are mountains.
Rivers.
Lakes.
Desert.
Ghost towns.
Downtown streets.
Hot springs.
Forests.
Sand dunes.
Your session can feel completely different depending on what you choose.
If you are comparing mountain locations, start with:
My McCall Idaho engagement photos for another western Idaho mountain option.
My Cascade river engagement session for a completely different way to use this same general area.
My Challis Idaho engagement photos for central Idaho landscapes.
My Stanley engagement photos if you want to see what happens when a session becomes a whole Idaho mountain experience.
And my rainy Stanley engagement session if you are currently looking at the forecast and quietly wondering whether rain means everything is ruined.
Spoiler:
It does not.
These resources are part of the same bigger idea: there is no one correct way for Idaho engagement photos to look.

There are mountain and forest areas surrounding Cascade, including National Forest System lands, but I would choose the exact location based on road access, current closures, season, terrain, weather, vehicle requirements, and how much walking you actually want to do.
I do not recommend choosing a random Forest Service road solely because it looks promising on a map.
Use the Forest Service Interactive Visitor Map, verify the managing land unit and Motor Vehicle Use Map, then check current conditions before traveling. The Forest Service’s MVUM data identifies legal motorized routes and seasonal restrictions.
Potentially, yes, when you are using an area that is open to public access and the photography activity complies with applicable Forest Service requirements.
You still need to verify the specific road, land-management unit, closures, motorized-use designation, and whether your photography activity requires authorization.
Professional photographers should verify any applicable commercial-use or special-use requirements with the managing Forest Service office.
Absolutely not.
I would be insufferable if I possessed that power.
We can plan for a moody session.
We can choose fall.
We can watch forecasts.
We can choose mountain and forest environments where atmospheric weather makes sense.
But actual fog is weather, and weather does what it wants.
The goal is choosing a location that photographs beautifully whether the day is foggy, cloudy, rainy, or clear.
It depends on the environment and feeling you want.
Early fall may offer milder temperatures and longer evenings.
Later fall can feel colder, quieter, and moodier, but it also brings shorter days and a greater possibility of snow or difficult mountain-road conditions.
Instead of choosing a date because somebody declared one weekend “peak fall,” I would consider elevation, accessibility, sunset time, road conditions, weather comfort, and what you actually want the session to feel like.
No.
One advantage of heavy cloud cover and fog is that the light can already be soft well before sunset.
In a dense forest, I may actually recommend beginning earlier because trees, clouds, and fog can reduce available light faster than an open landscape.
The lantern portion can happen later once the surrounding environment is dark enough for the glow to register.
I recommend a battery-powered lantern.
It gives us warm light and something interactive without introducing an open flame.
Always check current restrictions for the land you are visiting because Forest Service closures and fire restrictions can change based on conditions.
I generally would not choose an open-flame lantern for this type of session.
Even if fire restrictions are not currently in effect, an electric lantern gives us the visual effect with considerably less risk.
If you intend to use any flame or fire-based item on public land, verify current restrictions and regulations for the exact managing agency and location first.
Wear something that keeps you comfortable enough to actually participate.
Fall layers photograph beautifully and make sense in the environment.
Think jackets, knits, denim, corduroy, boots, wool, leather, or other textures you genuinely wear and like.
You do not have to adopt a brand-new outdoorsy personality for the day.
If your usual fall uniform is jeans and the same jacket you have loved for six years, I would rather photograph that than turn you into two people from a catalog you do not recognize.
Something stable enough for the actual terrain.
Forest roads can be muddy, rocky, uneven, or rutted.
You can always bring a second pair for specific photographs if you want a different look.
That depends entirely on the specific road and current conditions.
Some Forest Service roads may be suitable for ordinary passenger vehicles, while others may require more clearance or become difficult after rain, snow, or seasonal deterioration. Forest Service MVUM and visitor-map information distinguishes different road categories, but legal motorized designation does not guarantee that the road is currently safe or passable.
Do not assume.
Check.
We change the plan.
Fog is fun.
A dangerous road is not.
If visibility, snow, flooding, wildfire, wind, road damage, or another condition makes the location unsafe, we use a backup.
I would rather make beautiful photographs somewhere else than make dramatic photographs next to a vehicle that is now permanently part of the mountain.
Yes, if you are using public land where hunting occurs.
Idaho Fish and Game publishes current seasons and rules, including big-game and upland seasons, and recommends hunter orange as a voluntary visibility measure.
You do not need to be afraid of public land in fall.
You do need to be aware of who else may be using it.
Some can reduce the amount of hiking because you may be able to park relatively close to where you photograph.
That does not automatically make them accessible.
Road surfaces, slopes, gravel, mud, ruts, parking, and walking distance vary enormously.
If accessibility matters, tell me before we choose the location so it can be part of the decision from the beginning.
Potentially, depending on the exact location, land-management rules, your dog’s comfort, and the environment.
If your dog is an important part of your relationship, I am deeply in favor of making the session experience include them when it makes sense.
I also have an entire guide to engagement photo ideas with dogs if you want help deciding whether and how to include them.
Cascade is a very reasonable destination if you want to leave Boise’s city environment and build your session around Idaho mountains, forests, rivers, or Lake Cascade.
For couples still deciding whether they want to stay local or turn their session into more of a mountain trip, my Boise engagement photographer guide is a useful starting point for thinking through the bigger experience.


I think that is what I love most about this session.
We did not need the mountain to reveal itself dramatically behind them.
The fog did the opposite.
It hid things.
And somehow that made the photographs feel more intimate.
The world got smaller.
There was less to look at.
More to notice.
Two people walking down a wet road.
Cold air.
Trees fading into gray.
A lantern warming their hands as the forest got dark.
Nothing about that required perfection.
It required showing up prepared enough to let the day become what it was going to become.
That is what I want engagement sessions to feel like.
Not a test of whether the weather cooperated.
Not a performance.
Not an elaborate quest to recreate somebody else’s photographs.
Time intentionally spent together somewhere that gives us room to notice what your relationship actually feels like.
I am a Boise-based Idaho engagement photographer photographing couples throughout Cascade, McCall, Stanley, Boise, and the rest of Idaho for people who want candid, nostalgic, cinematic photographs without spending the entire session wondering whether their hands are doing something weird.
They probably are.
Hands are weird.
We will survive.
If foggy forests, mountain roads, lanterns, fall weather, or some completely different little Idaho adventure sounds like you, you can reach out about your engagement session.
You do not need to show up with the whole thing planned.
Tell me what you want it to feel like.
We can figure out the road from there.



























August 11, 2026
Let's do this thing
I literally have no words. Natalie is so amazing and talented, and not to mention how kind she is. She has outdone herself! My pregnancy has actually been pretty hard, so it actually brings me to tears to have such beautiful photos to remember it with. I am so so grateful for these beautiful keepsakes.
- Emma
Natalie and her husband are amazing! My hubby does not enjoy taking photos. Natalie was able to make us feel at ease and have fun with our session. She went above and beyond! I was expecting the typical sit here, pose this way, smile, click. NOPE! She asked us intimate questions about our lives. She played music that we love. She created an atmosphere and a mood that made our anniversary photos an experience. We are so thankful for the memories she helped us to create. Also her unique artistry in how she photographed us. I’m in love with the results. Thank you Natalie and Nate 💖
- Alisa
- Madie
"HOLY FUCKING SHIT. I AM OBSESSED WITH HOW THEY TURNED OUT... YOU ARE A GOD."