There is something slightly ridiculous and deeply romantic about carrying a cake into the middle of a sand dune.
I mean that as the highest compliment.
For this lesbian engagement session at the St. Anthony Sand Dunes, we wanted the evening to feel like more than showing up, standing on pretty sand, and cycling through engagement poses until sunset.
So they wore matching white dresses.
We built a little picnic.
There was cake.
There was a celebratory toast.
There was wind catching fabric, footprints disappearing across the dunes, and the kind of evening light that makes every curve in the sand look completely different from the one beside it.
It was cinematic without requiring them to pretend they were starring in somebody else’s movie.
And that is what I love about sessions like this.
Your engagement photos are allowed to be an event.
You can dress up simply because you want to.
You can bring dessert.
You can make a toast.
You can choose a place that looks nothing like where you normally spend a Tuesday night.
Personal does not always have to mean casual.
Sometimes feeling like yourselves means taking something you genuinely enjoy and turning the volume all the way up.
If you are considering St. Anthony Sand Dunes engagement photos, this guide covers the practical pieces too: when to go, how sunset changes the landscape, what walking through sand actually feels like, wind, heat, OHV traffic, picnic planning, current BLM rules, photography permits, seasonal closures, accessibility, and how to make a styled engagement session still feel like two real people having a really good evening together.

The first thing you notice about the St. Anthony Sand Dunes is how much space there is.
The Bureau of Land Management manages a dune complex with roughly 10,600 acres of shifting white quartz sand. Some dunes reach approximately 400 feet high, and the landscape stretches far enough that it feels completely disconnected from what most people imagine when they think about Idaho.
It is not the green mountain version of Idaho.
It is not a lake.
It is not a pine forest.
It is light, shadow, wind, sand, and sky.
That simplicity is part of why the dunes photograph so beautifully.
There is less visual clutter, which means small things become more noticeable.
The shape of someone’s dress.
Two people holding hands.
A champagne-style toast against an empty horizon.
The shadow from a cake plate.
Footprints.
Fabric moving in the wind.
Someone laughing because they attempted to sit gracefully on a blanket and discovered that sand has its own opinions.
The dunes give you scale without requiring every photograph to be about the scenery.

Idaho is generous enough to give us more than one very good sand dune option.
If you are comparing locations, my Bruneau Sand Dunes engagement session shows another completely different Idaho desert experience.
I would not treat St. Anthony and Bruneau as interchangeable.
The landscapes have their own character, access considerations, surrounding geography, and travel logistics.
St. Anthony is in eastern Idaho and is especially well known for its large white quartz dune system and significant OHV recreation. BLM describes it as a major destination for off-highway vehicle riders as well as hikers, equestrians, campers, and other visitors.
That means the planning conversation is not simply:
Which dunes are prettier?
It is:
Which location works better for the trip and experience you actually want?
If you are based closer to Boise, Bruneau may make considerably more sense.
If you are already planning an eastern Idaho trip or want the particular scale and look of St. Anthony, this location can be incredible.
Neither one wins.
They just tell different stories.


The matching white dresses were one of the first things that made this session feel intentional.
And yes, matching engagement outfits can go horribly wrong.
We have all seen family photos where seven people are dressed like they were assigned uniforms by a very strict khaki committee.
This was not that.
The dresses worked because they supported the idea without erasing each person’s individuality.
Against the pale sand and open sky, white created a really simple visual palette.
That let movement become more important.
The dresses caught wind differently.
Their body language still felt individual.
One person did not suddenly become a clone of the other because their outfit shared the same color story.
That is the difference between coordination and costume-issued sameness.


Matching outfits can absolutely work.
The question is why you are matching.
If the answer is:
We genuinely think this will be fun and we love how it looks together.
Perfect.
If the answer is:
I read somewhere that engaged people are required to coordinate.
We can release you from that burden immediately.
You have suffered enough.
For this session, matching white dresses gave us a repeated shape and color across a very minimal landscape.
But you could achieve that same sense of visual connection in lots of ways:
wearing different pieces in the same color family, repeating a texture, choosing colors with similar saturation, wearing two versions of the same general silhouette, or deliberately choosing opposites.
You can also have one person in a dress and another in trousers.
One in white and another in black.
One dramatic and one simple.
Gender does not assign the outfit.
Relationship roles do not assign the outfit.
You get dressed as yourselves.
That seems basic, but queer couples are still routinely pushed into weird posing and styling assumptions built around figuring out who is supposed to occupy which heterosexual role.
Nobody needs that.
For more about what I mean by an actually affirming photography experience, my guide to LGBTQ wedding photography in Idaho talks more about creating space for queer couples without making identity feel like a marketing gimmick.

There is no single way lesbian engagement photos are supposed to look.
They can be soft.
Editorial.
Masculine.
Feminine.
Both.
Neither.
Camping in the mountains.
Eating french fries.
Wearing matching white dresses in the desert.
Playing video games at home.
Running across dunes like you have just dramatically escaped your own wedding in a movie that does not exist.
Queerness is not a mood board.
The point is that queer couples get the same enormous range of possibility everybody else gets.
You should not have to become more visibly queer for your photographs.
You should also never have to make yourselves less visible to make another person comfortable.
You get to be in love in the photograph.
That is enough.


Sunset is not only pretty at the dunes.
The angle of the light changes the actual shape of what you see.
When the sun is high, light falls more evenly across the sand and can make the landscape feel flatter.
As the sun gets lower, every ridge begins casting a longer shadow.
Tiny ripples become visible.
Footprints get dimension.
One side of a dune can glow while the other becomes dramatically darker.
That is why I love building a dune engagement session backward from sunset.
It is not simply because someone once declared golden hour the universal best photography time.
It is because low-angle light interacts with this particular landscape in a really useful way.
And after sunset?
The color often gets softer.
The dunes become cooler.
The sky can hold onto light longer than you expect because there are fewer trees or buildings blocking the horizon.
That transition from warm sunset into softer blue-hour light can give one engagement session a lot of range without ever changing locations.


I would plan this backward from the actual sunset time on your date.
And I would arrive earlier than the amount of photography time you think you need.
Sand slows everybody down.
There is parking.
There is carrying the picnic.
There are shoes to negotiate.
There may be wind.
There will probably be at least one moment where somebody says, “Wait, did we leave the cake knife in the car?”
Build room for being human.
A rough timeline might look like:
Around 2.5 hours before sunset: Arrive, use the restroom, organize everything, walk toward the photography area, and start with brighter environmental portraits.
Around 2 hours before sunset: Begin the main engagement session while there is still plenty of light for movement and wider photographs.
Around 75 minutes before sunset: Settle into the picnic portion. This gives you time to sit, interact, eat cake, make a toast, and actually enjoy what you brought.
Around 30 to 45 minutes before sunset: Pack most of the picnic away and use the strongest low-angle light for movement across the dunes.
Sunset into blue hour: Finish with quieter, closer photographs and whatever the sky decides to do.
That exact timing changes throughout the year.
The principle is more important than the numbers.
Give the experience room.


Earlier than “we technically have enough time.”
This is especially true if you are bringing anything more complicated than yourselves.
For a picnic session, there are suddenly logistics.
Blanket.
Cake.
Drinks.
Cups.
Napkins.
Utensils.
Potentially flowers or another small styling detail.
Your personal belongings.
Water.
Shoes.
A bag for trash.
The cake transportation system that you will become emotionally invested in during the drive.
I do not want your sunset timeline to depend on everybody assembling a picnic with the efficiency of an airport ground crew.
Arrive early.
Let the setup happen without stress.

A picnic works beautifully for engagement photos because it gives you somewhere to stop.
That sounds simple, but it changes the rhythm of a session.
Most outdoor engagement sessions naturally involve a lot of movement.
Walk here.
Climb this.
Stand there.
Move farther.
Come closer.
A picnic interrupts that.
You sit.
Pour something.
Eat.
Talk.
Cut cake.
Steal frosting.
Fix each other’s hair after the wind destroys it.
Lean against each other because you have stopped thinking quite so much about what the camera is doing.
That is why I like activities.
They create opportunities for photographs instead of requiring the entire session to depend on posing.
My guide to unique Boise engagement-session date ideas goes deeper into this philosophy, even if your actual location is nowhere near Boise.
The question is always useful:
What can we actually do together?


A cake is adorable in engagement photos.
It is significantly better if you interact with it.
Cut it.
Eat it.
Feed each other.
Fight over which piece has more frosting.
Get icing on your fingers.
Realize approximately four minutes into the process that sand and frosting are natural enemies.
That is where styled details become documentary moments.
The object creates an action.
The action creates a reaction.
The reaction becomes the photograph.
I would rather photograph someone laughing because their partner got icing on their nose than spend fifteen minutes documenting a perfectly untouched cake from twelve angles.
The cake is invited.
The cake is not the main character.
Choose something transportable.
A towering six-tier buttercream masterpiece is perhaps not the assignment.
I like cakes with stable frosting, manageable size, and a container you can carry securely.
Keep it cool until you need it.
Bring a real knife or cutting utensil that works, but pack it safely.
Use a sturdy plate or tray.
Bring napkins.
Bring something to put trash in immediately.
And consider the wind before committing to tiny decorative toppers, loose flowers, paper details, or anything else with aspirations of becoming airborne.
Everything you bring should leave with you.
That includes crumbs when reasonably possible, wrappers, ribbons, food scraps, bottle seals, and decorations.
The dunes are not a venue cleaning crew.


A toast can be one of my favorite little engagement-session rituals.
It gives you a moment to mark what is happening instead of treating the engagement as merely a reason you need new profile pictures.
But this is public land, so we work within current site rules.
The BLM currently states that glass containers are prohibited at the Egin Lakes Campground and Day Use Area.
So if you want to recreate the look of a celebratory champagne toast, use a non-glass option for anything you are carrying into the area and check current regulations before your session.
BLM’s current Egin Lakes page does not give me enough information to make a blanket statement here about alcohol rules for every photography setup, so confirm that piece directly with the BLM Upper Snake Field Office before planning an alcoholic toast.
You can also use sparkling cider, another nonalcoholic drink, or literally whatever feels celebratory to you.
The photograph does not become less romantic because the bubbles are apple flavored.

Open dune landscapes do not have much to stop wind.
That can be incredible for photographs.
Dresses move.
Hair moves.
Fabric catches air.
The entire gallery can gain motion without us manufacturing it.
Wind can also attempt to steal your picnic.
So plan accordingly.
Use heavier plates.
Skip loose paper napkins unless they can be secured.
Do not bring decorations that will immediately disappear across public land.
Keep the cake stable.
Choose hairstyles you are comfortable seeing move.
And if you are wearing a dress or skirt, think about what the fabric will do when the wind picks up.
This is not about controlling everything.
It is about avoiding spending half the session chasing your belongings across Idaho.


There are really two jobs your clothes need to do here.
They should help create the feeling you want.
And they should allow you to exist on sand.
For this couple, matching white dresses did both.
They were cinematic, soft, simple against the landscape, and visually connected without making the people disappear into one identity.
But white dresses are not the St. Anthony uniform.
You could wear:
black against pale sand
bright color
denim
cowboy boots
something editorial
something casual
suits
vintage pieces
a dramatic dress
two completely different outfits
The best question is:
Does this feel like us, just slightly turned up?
That is usually a much better styling guide than trying to reverse-engineer whatever is currently popular on Pinterest.
For more help planning the overall experience, my Boise engagement photographer guide covers choosing locations, making engagement photos feel natural, and working with a photographer without suddenly needing professional-model qualifications.


Walking in sand is its own sport.
Shoes that are easy on pavement may become deeply annoying in dunes.
Depending on temperature and conditions, some people prefer going barefoot for portions of a session.
But do not assume barefoot is always comfortable.
BLM warns that summer sand temperatures at St. Anthony can exceed 100°F, which makes footwear and heat awareness especially important during warmer months.
Bring shoes you can walk in.
You can take them off for photographs when conditions make sense.
The goal is not suffering silently because your shoes look excellent.

A half mile across a parking lot is not the same as a half mile across dunes.
Every step moves.
Uphill sections require more effort.
Carrying a cake suddenly feels like an Olympic event.
If someone has chronic pain, fatigue, balance concerns, mobility limitations, cardiovascular concerns, or simply does not want a strenuous engagement session, that matters when choosing how far into the dunes to go.
You do not need to climb the largest visible dune to earn a beautiful photograph.
We can work closer to access.
We can keep the session flatter.
We can take breaks.
We can reduce what we carry.
We can choose another Idaho landscape completely.
Accessibility is not about asking whether somebody can force themselves through an experience.
It is about designing a better one from the beginning.


The St. Anthony Sand Dunes are not a quiet photography preserve.
They are an extremely popular OHV recreation area.
BLM specifically identifies off-highway vehicle use as one of the major activities at the dunes, alongside hiking, camping, horseback riding, wildlife viewing, and other recreation.
That means situational awareness matters.
You cannot assume a stretch of open sand belongs exclusively to us because nobody is visible in the photograph.
Listen.
Look around.
Stay aware of travel routes.
Do not set up a picnic in an active riding line.
Do not ask other visitors to leave an area simply because we are taking photographs.
And do not choose safety based on whether I can Photoshop someone out later.
A cinematic photograph is much less charming if we had to play Frogger with a side-by-side to make it.


For most engagement sessions, I would look closely at spring, summer, and fall.
Each one gives you something different.
Spring can offer cooler temperatures and a landscape that feels less brutally hot than midsummer.
Weather can also be more variable.
Some portions of the broader dune area are affected by seasonal winter wildlife closures, so always confirm the current closure map before your date.
Summer gives you late sunsets and a lot of evening flexibility.
It can also be hot.
BLM specifically warns that sand temperatures can exceed 100°F in summer.
A later session makes much more sense than wandering onto exposed sand during peak afternoon heat simply because you enjoy suffering.
Bring more water than feels photogenic.
Hydration is extremely on brand.
Fall can be wonderful if you want cooler temperatures and earlier sunsets.
It also makes an evening session easier for anyone who does not want to wait until extremely late for low light.
Wind and rapidly changing temperatures are still possible, so bring layers.
This one requires much more attention to closures and conditions.
BLM currently closes the western “big dunes” and areas south of Egin-Hamer Road from January 1 until sunrise on April 1. Areas surrounding the open sand remain closed until sunrise on May 1. The smaller dunes east of Egin Lakes toward Red Road are listed as open year-round, although BLM notes they are commonly snow-covered by January.
Always verify current closures before planning because wildlife protection matters more than our engagement-session concept.

Seasonal closures are not bureaucratic party-pooping.
The dunes and surrounding landscape are wildlife habitat.
BLM identifies the area around the dunes as critical winter range for elk, mule deer, and moose, along with habitat for sage-grouse and sensitive dune species.
The dune ecosystem itself also supports sensitive species, including the St. Anthony evening primrose and two beetle species identified by BLM.
That matters because the landscape can look empty while being very much alive.
Our inability to see an animal in a photograph does not mean nothing lives there.

Egin Lakes is one of the primary developed access points for the dunes.
BLM currently lists day-use parking, overflow parking, equestrian parking, restrooms, water hydrants, picnic facilities, campground facilities, and an access area for pedestrians and OHV users.
As of August 2026, the official St. Anthony Sand Dunes page lists a $10 day-use fee, and the Egin Lakes Campground/Day Use Area also lists $10 per vehicle per day.
Fees can change.
Check the official page before your session instead of trusting the amount you remember from a blog post you saved three years ago.
Even this one.
I respect the irony.


Possibly.
This is one of those things I would rather verify than confidently tell you something incorrect on the internet.
BLM’s current national still-photography guidance says a permit may be required when photography uses sets or props that are not part of the site’s existing resources or facilities, takes place somewhere the public is not generally allowed, or requires onsite BLM management to protect resources or reduce conflict with other visitors. The same guidance says ordinary portrait subjects, such as wedding parties or graduates, are not treated as “models” for that particular test.
That distinction matters for a session like this because a picnic, cake, furniture, elaborate styling, lighting gear, or another setup may affect the determination.
BLM specifically tells photographers to contact the local office responsible for the location to determine whether a permit is required.
For St. Anthony, that is the Upper Snake Field Office.
You can review the current BLM photography permit guidance and contact the Upper Snake Field Office for your specific setup.
Please do this before carrying an entire styled picnic onto public land and hoping vibes qualify as a permit.

I think this session is a good example of a distinction that matters.
Styled and staged are not the same thing.
Styled means we made intentional choices.
Matching dresses.
Cake.
Picnic.
Toast.
Sunset.
A specific location.
Staged would mean every second after that becomes a performance.
Hands precisely placed.
Laugh now.
Cut the cake again.
Pretend to drink again.
Walk past me for the ninth time.
Please look spontaneous while reproducing the spontaneous moment we just did.
No.
The whole reason to bring activities is to give us something real to photograph.
Set the picnic up.
Then actually picnic.
Bring the cake.
Then eat it.
Bring the drink.
Then make a toast.
Wear dresses you love.
Then move around in them.
The planning creates the environment.
You create what happens inside it.
That is how I approach what working with me actually feels like. I will give direction because abandoning two people in the desert and yelling “be candid” is not a photography methodology.
But I am also watching for what happens between instructions.
That is usually the part that belongs to you.

Cinematic does not mean every photograph needs to look like a movie poster.
For me, it is much more about sequence.
A wide photograph where two people are tiny against the dunes.
A close image of hands.
Wind moving through dresses.
Cake crumbs.
Someone pouring a drink.
A portrait where everything feels quiet.
A blurry running photo.
A flash image after the sun is almost gone.
A landscape.
A laugh.
A pause.
Movies work because not every shot is the same.
Engagement galleries can work the same way.
The cinematic feeling comes from creating a world and then photographing the small things that make it believable.
If bold, concept-driven engagement sessions are your thing, my Seven Magic Mountains engagement photos are another example of letting a visually unusual environment influence the story without letting the location completely swallow the people.
You might also like my Idaho State Penitentiary engagement session if your version of romance leans less champagne-picnic-in-the-dunes and more spooky old prison.
There is range here.


We keep photographing.
Cloudy weather does not mean the dunes stop existing.
It changes them.
Without strong direct sunlight, the shadows become softer.
Colors get quieter.
The landscape may feel moodier and more minimal.
Clouds can also create an incredible sky if openings appear near the horizon.
And if nothing dramatic happens?
You still have an engagement session.
This is one of the reasons I never want a session concept to depend entirely on one environmental event.
Sunset can support the story.
It should not be solely responsible for making the story worthwhile.
That same idea shows up in my rainy Stanley engagement photos, where weather became part of the experience instead of evidence that the plan had failed.


Keep it intentional.
Especially if you are walking everything onto the sand yourself.
I would bring:
Do not bring seventeen props because the internet told you styled engagement sessions require seventeen props.
Every additional object needs to be carried in, used, managed in wind, and carried back out.
Choose things that earn their invitation.

Everything that enters the dunes with us needs to leave.
Blankets.
Food.
Cake scraps.
Bottle caps.
Corks or closures.
Napkins.
Flowers.
Ribbons.
Packaging.
Props.
All of it.
Avoid confetti.
Avoid glitter.
Avoid scattering flower petals.
Avoid anything where your cleanup plan is essentially “surely nature will handle it.”
Nature did not RSVP to clean the engagement picnic.
BLM specifically describes St. Anthony as habitat for sensitive plants and wildlife, not an empty playground made exclusively for people.
We can make photographs that feel extravagant while our impact stays small.
Those two things are allowed to coexist.

If you love the idea of making engagement photos into an actual experience but dunes are not your particular flavor of chaos, Idaho gives us plenty of alternatives.
For mountains and lake energy, start with my McCall Idaho engagement photos.
For river, fall, and blue-hour photographs, look at my Cascade Idaho engagement session.
For a bigger central-Idaho adventure with multiple environments, there is my Stanley engagement session from Custer Ghost Town to Redfish Lake.
For something closer to Boise, my Boise Foothills engagement photos show what a more familiar Idaho landscape can feel like.
And for desert without driving all the way across Idaho, the Bruneau Sand Dunes engagement guide is the obvious next read.
There is no single definitive Idaho engagement-photo landscape.
That is part of why I love photographing here.


The St. Anthony Sand Dunes are in eastern Idaho, approximately eight miles west of St. Anthony according to BLM. Egin Lakes is a developed campground and day-use access area for the dunes.
For current directions and access information, use the official St. Anthony Sand Dunes BLM page.
As of August 2026, BLM lists a $10 day-use fee. Camping has separate fees depending on the site.
Always verify current pricing before your session.
It depends on the exact photography activity.
Current BLM guidance says still photography may require authorization when it involves qualifying props or sets, occurs in locations not normally open to the public, or requires onsite management or oversight. BLM recommends contacting the local field office for a location-specific determination.
Because styled engagement sessions may involve additional items such as picnic setups, cake, furniture, or lighting equipment, check with the Upper Snake Field Office before finalizing your plans.
The current Egin Lakes rules prohibit glass containers.
The current BLM page I reviewed does not provide enough detail for me to make a universal statement about alcohol for every engagement-session setup, so confirm current alcohol rules with the Upper Snake Field Office.
If you mainly want the celebratory moment, sparkling cider or another nonalcoholic drink works beautifully too.
Not at Egin Lakes under the current posted regulations.
BLM lists no glass containers among the site’s rules.
Choose a non-glass option and verify current rules before your visit.
They can be busy, particularly because St. Anthony is a major OHV recreation destination.
Do not plan on complete privacy.
Instead, choose timing and photography areas thoughtfully, stay aware of other users, and remember that the public still gets to use public land while we are photographing.
Yes.
Current BLM information lists winter wildlife closures affecting portions of the dunes and surrounding lands from January through spring, with reopening dates varying by area.
Check the current BLM closure information before planning your session because boundaries and rules matter.
Not necessarily, but timing matters a lot.
BLM warns that summer sand can exceed 100°F.
I would favor evening rather than peak-afternoon photography, bring plenty of water, wear appropriate shoes while walking, and pay attention to heat.
Potentially, when the temperature and terrain are comfortable.
Do not assume that because sand looks soft it is safe to walk barefoot in summer.
Test conditions first and keep shoes nearby.
BLM lists picnicking as an available activity at Egin Lakes.
A styled photography setup may create separate permit considerations, however, so confirm current photography requirements if you are bringing props or a more involved setup.
A small cake can be a wonderful interactive element for an engagement session, assuming your setup complies with current BLM rules and any permit requirements.
Pack out every piece of food waste and packaging.
The wildlife does not need your buttercream.
Whatever makes you feel like yourselves.
There is no lesbian engagement uniform.
Matching dresses can be wonderful if matching dresses genuinely sound fun.
You can also wear suits, jeans, completely different colors, identical colors, elaborate outfits, thrifted clothes, boots, bare feet, or something nobody on Pinterest has thought to tell you about yet.
The purpose is not proving what kind of couple you are.
The purpose is remembering this version of your relationship.
You do not need to arrive knowing how to pose.
Seriously.
That would make hiring me a strange financial decision.
I give direction when it helps, then let the interaction become yours.
A picnic makes that easier because you have things to do besides maintain awareness of all four limbs.
Cake helps too.
Never underestimate the power of giving a nervous person dessert.
You can read more about what to expect during a session with me if the photography part is making you more nervous than the dunes.

That is what I keep coming back to when I think about this session.
It was not just two people standing in a beautiful location because they needed engagement photographs.
They wore matching white dresses because it sounded fun.
They carried a picnic out into the sand.
There was cake.
They made a toast.
They watched the light move across the dunes.
They got to celebrate being engaged while we documented it.
That difference matters to me.
Because an engagement session is not just a task between getting engaged and getting married.
It is one of the few times in your life when you can intentionally say:
This part matters too.
Not only the wedding.
Not only whatever comes next.
This exact strange little season where you are making plans and imagining the future and figuring things out together.
You are allowed to make an evening out of remembering it.
I am a Boise-based Idaho engagement photographer photographing couples throughout Idaho and the Pacific Northwest with a mix of candid direction, documentary storytelling, nostalgic color, and cinematic composition.
I love a low-key session.
I love an elaborate one.
I love weird concepts.
I love ordinary Tuesdays.
I love queer couples getting to exist visibly and joyfully without being turned into somebody’s diversity portfolio.
And I am extremely supportive of bringing cake when appropriate.
If you are dreaming about St. Anthony, Bruneau, the Idaho mountains, your apartment, a weird roadside stop, or somewhere I have never photographed before, reach out about your engagement session.
You do not have to arrive with the full concept.
Tell me what you want it to feel like.
We can build the rest from there.



















August 11, 2026
Let's do this thing
I literally have no words. Natalie is so amazing and talented, and not to mention how kind she is. She has outdone herself! My pregnancy has actually been pretty hard, so it actually brings me to tears to have such beautiful photos to remember it with. I am so so grateful for these beautiful keepsakes.
- Emma
Natalie and her husband are amazing! My hubby does not enjoy taking photos. Natalie was able to make us feel at ease and have fun with our session. She went above and beyond! I was expecting the typical sit here, pose this way, smile, click. NOPE! She asked us intimate questions about our lives. She played music that we love. She created an atmosphere and a mood that made our anniversary photos an experience. We are so thankful for the memories she helped us to create. Also her unique artistry in how she photographed us. I’m in love with the results. Thank you Natalie and Nate 💖
- Alisa
- Madie
"HOLY FUCKING SHIT. I AM OBSESSED WITH HOW THEY TURNED OUT... YOU ARE A GOD."